用內容,成就觀眾的你、藝術的真、票房的喜
中國巡演特寫、藝術團體報導、海外參訪隨筆
“今天晚上是一個特別的日子,其實今天晚上我很緊張,”譚盾走上舞台,說出了第一句話……
10月14日傍晚,昆明的天氣突然轉晴了,落日餘輝散盡後,天空中竟現出朵朵雲影來,其間,還
作為總編導的楊麗萍明白,為不負眾望,頭一件需要慎重考慮之事,是舞蹈的音樂……
“Even if there isn't a single dancer left, Idyllic Conception will continue to exist. It will exist, definitely.”
吳波挺喜歡這句詮釋,覺得道出了舞團的特質,而她的這支田園構想舞團,至今仍是湖南省——
《憐妖恤魔》這部獨角戲,是鮑利的“專場”。由他出演劇中唯一角色古斯塔夫·格林德根斯 (Gu
“演兩輪就夠了,但是演三輪——不……銷售一塊,考慮得很少,我們更關心的是,劇目在在藝
當同伴們展翅飛向更廣闊的天空時,夏伊選擇了留守:“我還是覺得,要留住這顆‘珍珠’。在
Sympathy for the Devil was Pauli’s exclusive show. Lucas Svensson, author of the monologue, suggested him play the sole role
Being faithful to Stanislavski’s method, the ensemble of nine had pushed against the traditions in the realm of the absurd,
“It is a gift…” Charlotte Elizabeth Munksgaard recalls her memories of the year 2001. Her voice, a typical mezzo, is soo
金黃的小客船,駛抵渡口,甲板圍欄徐徐放下。幾位遊客,步回露臺。剛踏足過的歌劇院,又映
The tour of Dream of the Red Chamber in China involved nearly 300 people from more than 10 countries and regions, covering a d
“假如沒有寫這部歌劇,我們也不會聚在這裡,付出這麼多……”
“把眼睛閉起來,都可以劈劈啪啪的不停!”接受採訪時,雷諾老師繪聲繪色描述他幾年前的一