用內容，成就觀眾的你、藝術的真、票房的喜
“演兩輪就夠了，但是演三輪——不……銷售一塊，考慮得很少，我們更關心的是，劇目在在藝
當同伴們展翅飛向更廣闊的天空時，夏伊選擇了留守：“我還是覺得，要留住這顆‘珍珠’。在
“We are still an actors’ theatre. Very often actors are seen as soldiers in a way, who follow others’ decisions, but we
Sympathy for the Devil was Pauli’s exclusive show. Lucas Svensson, author of the monologue, suggested him play the sole role
Being faithful to Stanislavski’s method, the ensemble of nine had pushed against the traditions in the realm of the absurd,
“It is a gift…” Charlotte Elizabeth Munksgaard recalls her memories of the year 2001. Her voice, a typical mezzo, is soo
金黃的小客船，駛抵渡口，甲板圍欄徐徐放下。幾位遊客，步回露臺。剛踏足過的歌劇院，又映
一位劇評人稱其風格是帶著詩意的殘酷，這確實恰如其分，也正如倫德默自己所言：“我堅持用
其幽默感並非來自俏皮話的堆積，而是有著更深層的含義，這明顯受貝克特 (Samuel Beckett) 的影響
這新生一代，都是“68’之子”，也就是說，撫養他們成人的，是著名的“68’一代 (Generation ’6
The new generation were the children of the 68’s, which means that they had been brought up by the famous Generation ’68.
“只要是貼上了‘反人類’標籤的東西，我就有一種衝動，想去吸收它，了解它，進到它的裡面
阿斯特麗德·薩爾巴赫曾獲得眾多獎項，其作品已在二十多個國家上演。她看待社會以及當今時
羅德的作品中，總會有大段令人大快朵頤的部分，這也能為演員提供絕佳的展示機會。其作品情